These are magnificent fractals with the music of Ennio Morricone
You can see :- Glowing dots rendered with Processing (Additive Blending concept by R. Hodgin)- Shapes rendered with Artmatic- Fractals rendered with Ultra FractalMusic by Trentemoller
Παρασκευή 28 Δεκεμβρίου 2007
happy new Year with unexpected beauty
Τετάρτη 21 Νοεμβρίου 2007
To be something is to be nothing
Water Cube National Swimming Center Beijing
The so-called WATERCUBE associates water as a structural and thematical "leitmotiv" with the square, the primal shape of the house in chinese tradition and mythology. The entire structure of the watercube is based on a unique lightweight-construction, developped by PTW with ARUP, and derived from the the structure of water in the state of aggregation of FOAM. Behind the totally randomized appearance hides a strict geometry as can be found in natural systems like crystals, cells and molecular structures - (the most efficient subdivision of 3dimensional space with equally sized cells. --> structure report)
By applying this novel material and technology the transparency and the appearing randomness is transposed into the inner and outer skins of ETFE cushions. Unlike traditional stadium structures with gigantic columns and beams, cables and backspans, to which a facade system is applied, in the watercube design the architectural space, structure and facade are one and the same element. Conceptually the square box and the interior spaces are carved out of an undefined cluster of foam bubbles, symbolizing a condition of nature that is transformed into a condition of culture.
The appearance of the aquatic centre is therefore a "cube of water molecules" - the WATERCUBE. In combination with the main stadium by Herzog de Meuron, a duality between fire and water, male and female, Yin and Yang is being created with all its associated tensions/attractions.
Water This is a building all about water.
Water becomes a profound ‘building material’ that de-materialises the building in a meaningful way. That is the molecular structure of water in its foam state is magnified into the structure of the building. The structure of water softens and dissolves all the boundaries, and gives the sophisticated ‘micro’ details to the monolithic totality. The sophistication and funness of the components and the simplicity and monumentally of the whole gives the building an interesting dualit
y. In an inland city like Beijing, water becomes so precious and being with water such a luxury in people’s life. To us the Swimming Centre transcends its functionality as just an Olympic venue, it is also a paradise in Beijing’s heart that bring to people the endless happiness, joy and all kinds of fantasises of being with water.
Relationship with National Stadium We believe the National Swimming Centre should support the National Stadium. It should show wisdom and beauty without exhibiting a big gesture that competes or overpowers the National Stadium. As a counterpoint to the exciting, energy-giving, masculine, totemic image of the National Stadium, the Water Cube appears as serene, emotion-engaging, ethereal and poetic, with changing moods that directly respond to people, events and changing seasons. The sense of serenity and the potential for changing moods are considered the key features, ensuring our NSC provides that important supporting role.
Chinese philosophy
Square A square is not an alien in Chinese culture. To position themselves in the universe, Chinese choose the square as the prime geometry for their cities, palaces, and houses. (As a capital that has served six dynasties in six hundred years, the city of Beijing is a very good example). ‘Facing south, his feet firmly on the fifth element, the earth, is man. Via a negative approach-not knowing how high is up, how deep is down, and how far away is the end of the world in each direction-man fixes his position as equidistant form the end of the universe on all sides, and places himself squarely in the middle. ’‘Scattered inside the square world of man are these words: “One thousand autumns and ten thousand years, enduring happiness, never to end!” In Chinese history, there are always good years and bad years, but the nation is forever believed the Central Kingdom, that is how the nation named itself. ‘The Chinese organises his basic cell in order to organise the world around it. His immediate world, measurable, controllable, is forever encroaching on the Unknown’ . The square is the order, intelligence, and knowledge of man, the ‘Chinese ideal of regulated harmony’.
NELSON I. WU (WU NO-SUN)，Chinese and India Architectur - The City of Man, the Mountain of God, and the Realm of the Immortals • Heaven round and Earth square
In Chinese culture, there is a traditional idea of ‘Heaven round and Earth square’. It has been expressed in many architecture design and city planning practice. If the Stadium is envisioned as the place where man communes with the Gods spiritually and physically and where the fire is lit up towards the sky, the National Swimming Centre the place that brings to people the happiness, joy and all kinds of fantasies of being with water, which is a key natural element on earth in
Chinese culture.
• Yin – Yang The National Swimming Centre is axially related to the National Stadium across the Olympic Green, building a dialogue between earth (square) and sky (round), water and fire, engaging and radiating, poetic and totemic, changing moods and sweeping form, or in a word, Yin and Yang. They mutually define and reinforce each other.
• To be something is to be nothing We envisioned the National Swimming Centre as the counterpart of the National Stadium with contained wisdom and beauty without showing big gesture to compete or overpower it. The simplicity of a square provides a seemingly plain background to allow the play of many changes. To be something is to be nothing.
The Landscape A cube is dropped into water; water splashes out on the earth as scattering drops with ripples spreading away. This is the parti of the landscape of NSC. The ‘water drops’ become water pounds with vegetations, sculptures, fountains or other water features. Just as the ancient square Chinese city, such as the Forbidden City, that guarded by a river, the NSC building is separated from the land around by a lineal moat at the perimeter. Bridges are the only way to lead into the building. A consistent water wall runs above the moat to lift up the space frame system from the ground. At the entrance area the water wall becomes full height with a glass curtain wall on the back to allow the ‘water filtered’ day light into the lobby. People experience a walk through a water-screened space at entry every time they go into the building. The moat also collects the rainwater and alike that runs off the façade. Connected below ground the moat and the water pounds joins together to serve as a water collecting, filtering and recycling system for the building to save water and achieve the goal of ‘Green Olympics’.
The Green House The NSC has been designed to act like a greenhouse, absorbing solar radiation and avoiding heat loss. The double skin façade of bubbles is so well insulated that it has the potential to achieve an annual net heat gain. The principle is to capture the solar radiation in the area of the building where it is most needed around the pool and keep it there. Thermal mass of the concrete and the water will absorb and re-radiate this heat at night when it is most required. To achieve the right balance, the façade of the building has three modes of operation to respond to the climate summer, winter and mid season. The clear and translucent facades will allow high levels of natural daylight, which removes the requirement to artificially light the pool during the day. A core feature in the design of ETFE skin is the variable shading control system.
By modifying the pressures in the cavity, the internal foils can be either ‘open’ or ‘closed’. This allows the light levels to be controlled to create a dappled effect, similar to the light under a tree or deep under water. The light can be controlled to only fall on areas that do not suffer from glaring reflections, alternatively the entire roof and wall can be turned ‘off’ to achieve optimal lighting conditions for television cameras.
At night the building will glow to highlight the activities within.
The so-called WATERCUBE associates water as a structural and thematical "leitmotiv" with the square, the primal shape of the house in chinese tradition and mythology. The entire structure of the watercube is based on a unique lightweight-construction, developped by PTW with ARUP, and derived from the the structure of water in the state of aggregation of FOAM. Behind the totally randomized appearance hides a strict geometry as can be found in natural systems like crystals, cells and molecular structures - (the most efficient subdivision of 3dimensional space with equally sized cells. --> structure report)
By applying this novel material and technology the transparency and the appearing randomness is transposed into the inner and outer skins of ETFE cushions. Unlike traditional stadium structures with gigantic columns and beams, cables and backspans, to which a facade system is applied, in the watercube design the architectural space, structure and facade are one and the same element. Conceptually the square box and the interior spaces are carved out of an undefined cluster of foam bubbles, symbolizing a condition of nature that is transformed into a condition of culture.
The appearance of the aquatic centre is therefore a "cube of water molecules" - the WATERCUBE. In combination with the main stadium by Herzog de Meuron, a duality between fire and water, male and female, Yin and Yang is being created with all its associated tensions/attractions.
Water This is a building all about water.
Water becomes a profound ‘building material’ that de-materialises the building in a meaningful way. That is the molecular structure of water in its foam state is magnified into the structure of the building. The structure of water softens and dissolves all the boundaries, and gives the sophisticated ‘micro’ details to the monolithic totality. The sophistication and funness of the components and the simplicity and monumentally of the whole gives the building an interesting dualit
y. In an inland city like Beijing, water becomes so precious and being with water such a luxury in people’s life. To us the Swimming Centre transcends its functionality as just an Olympic venue, it is also a paradise in Beijing’s heart that bring to people the endless happiness, joy and all kinds of fantasises of being with water.Relationship with National Stadium We believe the National Swimming Centre should support the National Stadium. It should show wisdom and beauty without exhibiting a big gesture that competes or overpowers the National Stadium. As a counterpoint to the exciting, energy-giving, masculine, totemic image of the National Stadium, the Water Cube appears as serene, emotion-engaging, ethereal and poetic, with changing moods that directly respond to people, events and changing seasons. The sense of serenity and the potential for changing moods are considered the key features, ensuring our NSC provides that important supporting role.
Chinese philosophy
Square A square is not an alien in Chinese culture. To position themselves in the universe, Chinese choose the square as the prime geometry for their cities, palaces, and houses. (As a capital that has served six dynasties in six hundred years, the city of Beijing is a very good example). ‘Facing south, his feet firmly on the fifth element, the earth, is man. Via a negative approach-not knowing how high is up, how deep is down, and how far away is the end of the world in each direction-man fixes his position as equidistant form the end of the universe on all sides, and places himself squarely in the middle. ’‘Scattered inside the square world of man are these words: “One thousand autumns and ten thousand years, enduring happiness, never to end!” In Chinese history, there are always good years and bad years, but the nation is forever believed the Central Kingdom, that is how the nation named itself. ‘The Chinese organises his basic cell in order to organise the world around it. His immediate world, measurable, controllable, is forever encroaching on the Unknown’ . The square is the order, intelligence, and knowledge of man, the ‘Chinese ideal of regulated harmony’.
NELSON I. WU (WU NO-SUN)，Chinese and India Architectur - The City of Man, the Mountain of God, and the Realm of the Immortals • Heaven round and Earth square
In Chinese culture, there is a traditional idea of ‘Heaven round and Earth square’. It has been expressed in many architecture design and city planning practice. If the Stadium is envisioned as the place where man communes with the Gods spiritually and physically and where the fire is lit up towards the sky, the National Swimming Centre the place that brings to people the happiness, joy and all kinds of fantasies of being with water, which is a key natural element on earth in
Chinese culture.• Yin – Yang The National Swimming Centre is axially related to the National Stadium across the Olympic Green, building a dialogue between earth (square) and sky (round), water and fire, engaging and radiating, poetic and totemic, changing moods and sweeping form, or in a word, Yin and Yang. They mutually define and reinforce each other.
• To be something is to be nothing We envisioned the National Swimming Centre as the counterpart of the National Stadium with contained wisdom and beauty without showing big gesture to compete or overpower it. The simplicity of a square provides a seemingly plain background to allow the play of many changes. To be something is to be nothing.
The Landscape A cube is dropped into water; water splashes out on the earth as scattering drops with ripples spreading away. This is the parti of the landscape of NSC. The ‘water drops’ become water pounds with vegetations, sculptures, fountains or other water features. Just as the ancient square Chinese city, such as the Forbidden City, that guarded by a river, the NSC building is separated from the land around by a lineal moat at the perimeter. Bridges are the only way to lead into the building. A consistent water wall runs above the moat to lift up the space frame system from the ground. At the entrance area the water wall becomes full height with a glass curtain wall on the back to allow the ‘water filtered’ day light into the lobby. People experience a walk through a water-screened space at entry every time they go into the building. The moat also collects the rainwater and alike that runs off the façade. Connected below ground the moat and the water pounds joins together to serve as a water collecting, filtering and recycling system for the building to save water and achieve the goal of ‘Green Olympics’.
The Green House The NSC has been designed to act like a greenhouse, absorbing solar radiation and avoiding heat loss. The double skin façade of bubbles is so well insulated that it has the potential to achieve an annual net heat gain. The principle is to capture the solar radiation in the area of the building where it is most needed around the pool and keep it there. Thermal mass of the concrete and the water will absorb and re-radiate this heat at night when it is most required. To achieve the right balance, the façade of the building has three modes of operation to respond to the climate summer, winter and mid season. The clear and translucent facades will allow high levels of natural daylight, which removes the requirement to artificially light the pool during the day. A core feature in the design of ETFE skin is the variable shading control system.
By modifying the pressures in the cavity, the internal foils can be either ‘open’ or ‘closed’. This allows the light levels to be controlled to create a dappled effect, similar to the light under a tree or deep under water. The light can be controlled to only fall on areas that do not suffer from glaring reflections, alternatively the entire roof and wall can be turned ‘off’ to achieve optimal lighting conditions for television cameras.
At night the building will glow to highlight the activities within.
Τρίτη 6 Νοεμβρίου 2007
the mind's eye
Architecture is measured to the pace of the mind's eye, and with each step you are forced to make a mental adjustment, as if purging yourself of trivial distractions.Memory is meant to fade it is designed this way for a reason..so I devote this music to my friend who knows best να φυλαει καλα τη μνημη και τα ομορφα πραγματα στη ζωη..γεια σου 100460 ακου κατι απο τα παλια.. Famous blue raincoat it is!! his favourite garment
Σάββατο 3 Νοεμβρίου 2007
somebody is watching us
you know by now somebody is watching us daily with wide open eyes and wide closed perception They want us to behave in a way we dont like they build houses so that we can imprison our thoughts but some escape in the autumn rain and fly over the cities like angels and then and then they send the police of behaviour to censor us and they do and we escape again the rain allows us to hide I hate rain but learnt to love it because of this
Πέμπτη 25 Οκτωβρίου 2007
wave of sucess or another utopia?
Ισως χαθει η ευκαιρια για το water in motion κτιριο της να δειςτο φως της μερας..Once upon a time there was an iconic building to house the London 2012 Olympic watersports by Hadid, “The architectural concept of the Aquatic Centre is inspired by the fluid geometry of water in motion, creating spaces and a surrounding environment in sympathy with the river landscape.” The building would be retained as a swimming complex after the Olympics.Contractor pulls out of London Aquatic Centre The programme to complete the London Olympics in time has suffered a major set back after Eiffel, the main contractor tasked with delivering Zaha Hadid’s Aquatic Centre pulled after a row with the architects. The Olympic Delivery Authority (ODA) is now relying on a new tender from Balfour Beatty which could take months. This also gives the contractor an advantage being the only party and could allow them to set their own terms. Demolition work had already started. A spokesperson for the ODA said that the timescale was now challenging. However The chief executive of the Olympic Delivery Authority (ODA) has pledged not to scale back designs on Zaha Hadid’s Aquatic Centre
Δευτέρα 22 Οκτωβρίου 2007
i just shot Monday down
what a day today! Τη μερα κι αυτη τη σκοτωσα πριν με σκοτωσει με εξανλτησε στο πατωμα με εριξε. Κι αυτη η τηλεοραση επιμενει οτι ολα τα ξερει με τα γκαλοπ προτιμησωεν και προθεσεων ψηφου και ξεπουλανε ολοι το καλοντυμενο τομαράκι τους στο βωμο της τηλεθεασης.Προθεσεις ψοφου μαλλον δεν γνωριζουν η τις κρατανε ακομη για να τις δημοσιευσουν σε μερα πιο καλης τηλεθεασης
καλημερα Τριτη Καλα εμαθα οτι υπαρχει και η Αγια Τριτη Βοηθεια μας λοιπον απο αυριο
Τετάρτη 17 Οκτωβρίου 2007
answer the phone dear I love you! after all
pas de reponse?
δοκιμασε τοσες φορες και στο τελος τα καταφερε! να πει αυτο που ηθελε το παιδακι .Οταν μεγαλωσει ποσο καιρο θα του παρει να λεει αυτο που θέλει κατ ευθείαν; Είναι θέμα εκπαιδευσης,συνηθειας η απόφασης; Απαντησεις ευπροσδεκτες.. Μην με αφησετε όμως sans reponse οπως ο μπαμπας το παιδακι...Ευχαριστώ σας
δοκιμασε τοσες φορες και στο τελος τα καταφερε! να πει αυτο που ηθελε το παιδακι .Οταν μεγαλωσει ποσο καιρο θα του παρει να λεει αυτο που θέλει κατ ευθείαν; Είναι θέμα εκπαιδευσης,συνηθειας η απόφασης; Απαντησεις ευπροσδεκτες.. Μην με αφησετε όμως sans reponse οπως ο μπαμπας το παιδακι...Ευχαριστώ σας
Παρασκευή 12 Οκτωβρίου 2007
stones lovely stones σπαστε βρωμικα παραθυρα που κρυβουν τη θεα
Ενα κομμάτι απο τη συλλογή μου με ραγισμένες πέτρες η πετρες που της εκοψε καποιος ενω νόμιζε οτι θα εκοβε λουλούδι.Και τι εγινε που αποχτησαν ρωγμη Φίλε Ιωάννη που δεν θες να δείξει τις δικες σου στα παιδια.Ετσι και αλλιως τα ξερουν ολα.Δειξτες εσυ και μην σε νοιάζει μόνο αυτο θα καταλάβουν και μπορεί να τα βρείτε .Και μετα τερμα οι μάχες θα αρχισουν οι σωστες διαπραγματευσεις.Οταν μαζευετε πετρες στις παραλίες μηνμαζευεται μονο τις ωραίες Στις ατελειες χωνεται η ομορφια.Τωρα μη με ρωτησετε ποιος εβαψε καποιες πετρες πρασινες σε τετοιο φωτεινο πρασινο.Ουτε κι εγω δεν ξερω Εγω ειμαι εκει για να τις μαζευω και να τις φερνω να τις βλέπετε; Τις είδατε; Ωραία χρησιμοποιείστε τις τώρα για να σπάσετε εκείνο το βρωμικο παράθυρο που σας κόβει τη θεα και όλο λκέτε ότι θα το καθαρίσετε Αλλα δεν ηρθε ακομη μεσω ιντερνετ το Αμερικανικο καθαριστικο που είχατε παραγγειλει.Σπαστε το παραθυτρο με μια ρημαγμενη πετρα.Ρημαδια οτι κρυβει τη θεα.Εγω έφερα τις πέτρες.Εσεις πόσα παράθυρα σπάσατε;Δευτέρα 8 Οκτωβρίου 2007
Move on Move on, Aνάλαφρα
Μην μου πειτε οτι δεν υπαρχει κινηση που αψηφα το βαρος.Αφηνεις το βαρος και τολμας την κινηση. Θα σου πουν οτι δεν γινεται Το παρελθον.Να το λυσουμε.Να δουμε τι εφταιξε.Απλα πετα το.Ας τους να λένε.Και πετα με τα φτερα του ανεμου.Μην δανειζεσαι τη σκεψη αλλων για να λυσεις το δικο σου βαρος.Το μονο που κναουν ειναι να σου φορτωνουν το δικο τους.Και ζητάνε και λεφτα απο πάνω για την ανακαλυψη.Να πετάξεις τις συνταγές τους μαζι με τα ξυνισμενα φαγητα που δεν εφαγες γιατι απλα δεν πεινουσες.Ποιός σε επεισε οτι πεινας για ξυνισμενες συμβουλές; Ούτε στο ψυγειο δεν επιβιώνουν πιά τα φθαρμενα μυαλα τους παγιδευμενα σε τσιτατα με τυφλοσουρτες του κουτιου.Εξω θα βγουμε και θα πεταξουμε απο πανω μας το βαρος του κοσμου Τhe giant kinetic sculptures of Dutch artist Theo Jansen, always elegant, massive and impressive with their ability to be eco friendly at the same time than resembling apocalyptic robots.Σάββατο 6 Οκτωβρίου 2007
Θα τρέφεστε με ψωμί,με ήλιο και ομορφιά
hello world.Εκει που γραφετε τα λογια σας,φτιαξτε και λιγο ψωμι.Η πείνα δεν ξεχνιέται όπως και η δίψα,οπως και η ανάγκη για αλήθεια,αντε και λιγη αισθητική.Τι σήμερα δεν θα χτίσετε κανένα άλλο γυάλινο πύργο να βάλετε μέσα το φόβο σας; Τι θα βγείτε έξω χωρις μαύρα γυαλιά ,να δείτε το φως; Και τα δεκανίκια, που τα αφήσατε τα δεκανίκια; Απο το να σερνετε το τραυματισμένο πόδι σας, πιό καλά να πάρετε δεκανίκια.Ετσι λένε όλοι, το διάβασα σε μιά συνταγή.Υπάρχουν φάρμακα και συμβουλές για όλα.Ψωμι δεν υπαρχει και γι αυτο δεν βρήκαν φάρμακο ακόμη.Μόνο τη λήθη.Αλλά η πείνα δεν ξεχνιέται .Εχει το δικο της τρόπο να θυμίζει.Καταστρεφει τα δεκανίκια,ασπρίζει τα μαύρα γυαλιά,σπαέι τα τζάμια των πύργων και εκθέτει τους φόβους στον ήλιο να στεγνώσουν.Αυτή τη συνταγή δεν σας την έμαθαν ακόμη ε; Δεν θέλουν να την ξέρετε γιατι τότε πιά δεν θα αγοράζετε άλλο τις συνταγές τους,τα φάρμακα και τις συμβουλές τους.Θα τρέφεστε με ψωμί,με ήλιο,με ομορφιά.Ποιός σου είπε ότι δεν είναι αρκετό.Μην ακους αυτές τις συμβουλές είναι γεμάτες λόγια ύποπτα. Φτιαξε ψωμι με τα χερια σου
Τετάρτη 3 Οκτωβρίου 2007
σπιτια στον αερα μυαλα στα θεμελια
Ηθελα να πω ότι φτιαχνεις ενα σχεδιο και ξεκινας απο τα θεμελια, το ετοιμαζεις αλλα ξαφνικά το εδαφος στο οικοπεδο που αγορασες δεν κανει Το εδαφος δεν μπορει να κρατησει αυτη τη κατασκευη. Ετσι τι κανεις πετας τα σχεδια; Δεν κτιζεις; Οχι κτιζεις το κτιριο λιγο πιο εκει.Καθε κτιριο που κτιζεται θα μπορουσε να ειναι εργο τεχνης που μπαινει στον ιστο της πολης και μενει. Το ιχνος του ειναι ανεξιτηλο και διαρκες. Οι πολεις στην Ελλάδα φαινονται να κοιμουνται ερημην αυτου του αξιωματος.Τα κτιρια που ξεφυτρωνουν ειναι συνηθως κακα και τυχαια σαν τις κακες συναναστροφες. Σαν τα ζευγαρια που οδηγηθηκαν απο την αναγκη στην εκκλησια, για να στεγαζουν ενα ονειρο χωρις να ελεγξουν τα θεμελια.Μονο το νυφικο να ειναι λαμπερο τα μαλλια της νυφης και εχει ο θεοςΠαραληρω με θυμο,με πονο, με απογνωση αλλα ευτυχως υπαρχουν κοκκινες ροζ και αλλες παραλλαγες του χρωματος, αναλαμπες στο μπλε ουρανο και μια ομαδα η La guarda να τι εφτιαξε για να στεγασει ενα ονειρο.Για αυτους που κοιμουνται με δανεικα, η δικα τους χαπια, σε χωρες μακρινες, η κοντινες, σε αγκαλιες ιδανικες, τραγουδισμενες η απλα ξεχασμενες
αφιερωνω αυτα τα αερινα σπιτια στην επιφανεια του νερου.Οχι δεν βουλιαζουν αν φροντιστε τα θεμελια.Αφιερωμενο σε 2 φιλους που ξενυχτανε και ψαχνονται σε διαδρομες του νου
Τρίτη 2 Οκτωβρίου 2007
ασχετο ασχετο που ειπες οτι ειναι ο οριζοντας;
αναζητηση μιας ανθρωπινης ποληςαναζητηση μιας κλιμακας που να μας ανεβαζει
και να μην ουρλιαζει
με αγκομαχητα δημοσιων υπαλλήλων
το τριανταφυλλο ηταν εκει
εγω απλα το ειδα
όπως ολα ειναι εκει αρκει να τα δουμε
για να βαλουμε λιγο χρωμα στη καθε μερα
οι γκριζοι κοστουμαρισμενοι δημοσιοι λειτουργοι
ας μην ανησυχουν για το ποτε θα παρουν τη συνταξη
αφου ηδη δεν ζουν ηδη εχουν παραιτηθει σε δουλειες
με τη σιγουρια του τίποτα,σε γαμους με τη σιγουριά του τιποτα
σε ρουχα φτιαγμενα απο υλικα του τιποτα και εχουν να δουν ονειρο απο τοτε
που το δικασαν γιατι λεει δεν καταλαβαιναν τι ελεγε
θα την τιναξω τη φυλακη τους πριν καν διανοηθουν να σε βαλουν μεσα
η αλλιως θα τους τριψω τα μουτρα στο χωμα στο προαυλιο
δεν εχουν φανταστει τι βασανιστηρια μπορω να σκαρφιστω αν θυμωσω
ειναι να μην θυμώσω
να ονειρευεσαι εγω ειμαι εδω φυλακας του οριζοντα
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